Festival Interceltique (2009), An Oriant / Lorient
Posted: Fri Aug 14, 2009 3:17 pm
The Festival Interceltique in An Oriant (Lorient) is a summer gathering of the Celtic nations of Europe’s Atlantic seaboard in southern Brittany’s region of Morbihan.
http://www.festival-interceltique.com/
You really need to book ahead if you plan to go. Not wing it, like I did. There was absolutely no place to stay in Lorient, so I ended up in Kemperle (Quimperle, 20km away). There too, all hotels were booked because of the Interceltique.
I was saved from vagrancy by Alain Vaillant and his buddies (Tony, Guiche, Fabrice--Tregourez bras!) at La Mouche qui Louche, a friendly local tavern. They not only put me up in their sofa for the night, but also introduced me to Breton drinking until 4am. I was still rather sopped when I woke up 4 hours later and made it back on the train to Lorient just on time for La Grande Parade des Nations Celtes. By the time the parade was over, the buzz was gone. But it was replaced by bagpipe drones (the parade lasted 2.5 hours).
Here is a clip from this year's parade, showing mostly Bagadous (piping and bombarde marching bands from Brittany). Just use keywords like 'Grande Parade Lorient 2009' in YouTube and you will find plenty more videos:
http://www.youtube.com/watch?v=xGU24SWeL64
This year (2009), Galicia, the neighbors of the Asturians, was the nation-of-honor. The Galician pavilion was the largest of all, together with the Acadians from Canada and the Espace Bretagne (Bretons). It was probably the most visited because they had a full program of music and a variety of tourist booths, a seafood/wine bar, bagpipe-making shops, a cheese corner and even women sewing fishing nets as an ethnographic display. I liked it for the Valdeorras (red wine from Ourense) and the huge map of Galicia they had at the entrance. At the hyper-organized Galician pavilion I saw Berroguetto
http://www.myspace.com/berroguetto
and the Anxo Lorenzo Band
http://www.myspace.com/anxolorenzo
Both were interesting, especially Berroguetto with its merging of musical traditions and instruments.
Asturias will be the nation of honor in 2011 and I seriously doubt the government of the Principality will be as good at marketing the region as the Galicians. With up to 700,000 visitors in 2009, the Festival Interceltique is a great tourism promotion opportunity. Asturias could showcase its folk culture, its archaeological sites and its lush landscapes. But as you may know, the Asturian government has a dysfunctional relationship with regional identity, so they will probably botch the job and showcase Easter Day pageants.
Anyway, at the Asturian pavilion, I ran into Diego Pangua. His band, Felpeyu
http://www.myspace.com/felpeyu
hadn’t arrived yet from Asturias, so we went to see a concert by Fred Morrison
http://www.myspace.com/fredmorrison
Morrison, a Scott who played at the Interceltique in many previous editions, is one of those musicians who live to play the uileann and shuttle pipes. It’s totally contagious. Diego told me he often plays in Mieres, in the mining districts of central Asturias. Felpeyu played two days later and it reminded me of the star-studded night in Samartin d’Ozcos when they played at La Marquesita (Art was there and can bear witness). I met a few of its members, including Ruma, Fernando, Lisardo and Xuan, which I guess qualifies me as a groupie at this point.
The most mind-blowing musical act at Lorient, during my 6 days there, was by Armel An Hejer (vocals), Malo Carvou (flute) and Bernard Bizien (guitar). Together, they are known as Ozan Trio
http://www.myspace.com/ozantrio
Theirs is a highly original mix of traditional Breton, Blues, Gypsy, Klezmer, Georges Brassens and Jacques Brel—all of it sung by Armel in the Breton dialect of Carhaix (west-central Brittany).
You can listen to their tunes on MySpace, there’s a funny song in French called ‘Le petit franc cinquante’ (a song about having or not having one franc and 50 centimes and how you may have three times 50 cents if you do some reverse engineering). The way Armel sings, with heavy hand gesturing, and the simplicity of the band itself (amazing flute playing by Malo Carvou), reminded me of Xose Anton Ambas and his folk band, Tuenda.
Other bands I listened to included:
Dalla, from Cornwall: an energetic band that goes out of its way to rediscover Cornish music for which there were scores, but no musicians. Since the 1970s there has been a revival of Cornish music, especially of dance pieces known as Troyl and Nos lowen. The Troyl is similar to the Irish and Scottish Ceildidh, whereas the Nos lowen is closer to the dancing at a Breton Fest noz, a kind of Asturian romeria with dances akin to the Danza Prima. Their archival work again reminded me of Xose Anton Ambas:
http://www.dalla.co.uk/about.php
Fullset, from Ireland: a young band with a good sense of fun and, sometimes, the vocalist loses her voice but sings anyway, adding to the charm:
http://www.myspace.com/fullsetmusic
There was a Cuban connection at the Interceltique: The accordionist in the YouTube clip (below) was at a press conference by Galician piper Carlos Nunez, who this year brought a marching bagpiping band from Brazil. Lisardo Lombardia (Asturian director of the festival) pointed out the Cuban musician to reporters and said the Interceltic Festival of Lorient might soon host musicians like him—the descendants of Asturians and Galicians in Cuba, Chile or Argentina. Susana de la Cruz, a moderator of this forum and a member of the Asturian piping band in Havana, says his name is Arturo Perez.
http://www.youtube.com/watch?v=_HjS-8T9U0A
By the way, the first-ever CeltFest will take place in Havana in 2010, see this thread by Susana and Lisa:
http://www.asturianus.org/forum/viewtopic.php?t=3258
http://www.festival-interceltique.com/
You really need to book ahead if you plan to go. Not wing it, like I did. There was absolutely no place to stay in Lorient, so I ended up in Kemperle (Quimperle, 20km away). There too, all hotels were booked because of the Interceltique.
I was saved from vagrancy by Alain Vaillant and his buddies (Tony, Guiche, Fabrice--Tregourez bras!) at La Mouche qui Louche, a friendly local tavern. They not only put me up in their sofa for the night, but also introduced me to Breton drinking until 4am. I was still rather sopped when I woke up 4 hours later and made it back on the train to Lorient just on time for La Grande Parade des Nations Celtes. By the time the parade was over, the buzz was gone. But it was replaced by bagpipe drones (the parade lasted 2.5 hours).
Here is a clip from this year's parade, showing mostly Bagadous (piping and bombarde marching bands from Brittany). Just use keywords like 'Grande Parade Lorient 2009' in YouTube and you will find plenty more videos:
http://www.youtube.com/watch?v=xGU24SWeL64
This year (2009), Galicia, the neighbors of the Asturians, was the nation-of-honor. The Galician pavilion was the largest of all, together with the Acadians from Canada and the Espace Bretagne (Bretons). It was probably the most visited because they had a full program of music and a variety of tourist booths, a seafood/wine bar, bagpipe-making shops, a cheese corner and even women sewing fishing nets as an ethnographic display. I liked it for the Valdeorras (red wine from Ourense) and the huge map of Galicia they had at the entrance. At the hyper-organized Galician pavilion I saw Berroguetto
http://www.myspace.com/berroguetto
and the Anxo Lorenzo Band
http://www.myspace.com/anxolorenzo
Both were interesting, especially Berroguetto with its merging of musical traditions and instruments.
Asturias will be the nation of honor in 2011 and I seriously doubt the government of the Principality will be as good at marketing the region as the Galicians. With up to 700,000 visitors in 2009, the Festival Interceltique is a great tourism promotion opportunity. Asturias could showcase its folk culture, its archaeological sites and its lush landscapes. But as you may know, the Asturian government has a dysfunctional relationship with regional identity, so they will probably botch the job and showcase Easter Day pageants.
Anyway, at the Asturian pavilion, I ran into Diego Pangua. His band, Felpeyu
http://www.myspace.com/felpeyu
hadn’t arrived yet from Asturias, so we went to see a concert by Fred Morrison
http://www.myspace.com/fredmorrison
Morrison, a Scott who played at the Interceltique in many previous editions, is one of those musicians who live to play the uileann and shuttle pipes. It’s totally contagious. Diego told me he often plays in Mieres, in the mining districts of central Asturias. Felpeyu played two days later and it reminded me of the star-studded night in Samartin d’Ozcos when they played at La Marquesita (Art was there and can bear witness). I met a few of its members, including Ruma, Fernando, Lisardo and Xuan, which I guess qualifies me as a groupie at this point.
The most mind-blowing musical act at Lorient, during my 6 days there, was by Armel An Hejer (vocals), Malo Carvou (flute) and Bernard Bizien (guitar). Together, they are known as Ozan Trio
http://www.myspace.com/ozantrio
Theirs is a highly original mix of traditional Breton, Blues, Gypsy, Klezmer, Georges Brassens and Jacques Brel—all of it sung by Armel in the Breton dialect of Carhaix (west-central Brittany).
You can listen to their tunes on MySpace, there’s a funny song in French called ‘Le petit franc cinquante’ (a song about having or not having one franc and 50 centimes and how you may have three times 50 cents if you do some reverse engineering). The way Armel sings, with heavy hand gesturing, and the simplicity of the band itself (amazing flute playing by Malo Carvou), reminded me of Xose Anton Ambas and his folk band, Tuenda.
Other bands I listened to included:
Dalla, from Cornwall: an energetic band that goes out of its way to rediscover Cornish music for which there were scores, but no musicians. Since the 1970s there has been a revival of Cornish music, especially of dance pieces known as Troyl and Nos lowen. The Troyl is similar to the Irish and Scottish Ceildidh, whereas the Nos lowen is closer to the dancing at a Breton Fest noz, a kind of Asturian romeria with dances akin to the Danza Prima. Their archival work again reminded me of Xose Anton Ambas:
http://www.dalla.co.uk/about.php
Fullset, from Ireland: a young band with a good sense of fun and, sometimes, the vocalist loses her voice but sings anyway, adding to the charm:
http://www.myspace.com/fullsetmusic
There was a Cuban connection at the Interceltique: The accordionist in the YouTube clip (below) was at a press conference by Galician piper Carlos Nunez, who this year brought a marching bagpiping band from Brazil. Lisardo Lombardia (Asturian director of the festival) pointed out the Cuban musician to reporters and said the Interceltic Festival of Lorient might soon host musicians like him—the descendants of Asturians and Galicians in Cuba, Chile or Argentina. Susana de la Cruz, a moderator of this forum and a member of the Asturian piping band in Havana, says his name is Arturo Perez.
http://www.youtube.com/watch?v=_HjS-8T9U0A
By the way, the first-ever CeltFest will take place in Havana in 2010, see this thread by Susana and Lisa:
http://www.asturianus.org/forum/viewtopic.php?t=3258